Commit to a Writing Practice Part A – 3 important songs?

I have no idea how the description and title of this prompt is even remotely related to writing about the three most important songs in my life and what they mean to me. So I am going to split this into a two part post with relevant tags on each.

The prompt told me to try free writing and gave a bunch of advice intended to let all my fabulous ideas and wonderful words just flow on to the page. Unfortunately, my self-evident truths will not allow me to accept any of this advice because it all runs counter to who I am and how I write. Here’s each point of advice and how I feel about it.

• Keep your hand moving. (Don’t pause to reread the line you’ve just written. That’s stalling and trying to get control of what you’re saying.) No, that’s trying to make sure that what I’ve said might make some sense to the reader.
• Don’t cross out. (That is editing as you write. Even if you write something you didn’t mean to write, leave it.) If I don’t edit as I write, the post will get too long and convoluted. I wouldn’t want to read a post that was too complicated or too boring.
• Don’t worry about spelling, punctuation, grammar. (Don’t even care about staying within the margins and lines on the page.) I draft in Word which does this all for me.
• Lose control. I have, but more around the number of posts I want to write, not what goes in each post.
• Don’t think. Don’t get logical. I’m a German Taurus so I have to do both under the laws of the universe.
• Go for the jugular. (If something comes up in your writing that is scary or naked, dive right into it. It probably has lots of energy.) Gotcha! I’m good with this one. Anonymity helps.

The prompt goes on to say “Just let go” and ends with this quote from Jorge Luis Borges, an Argentine short-story writer, essayist, poet and translator

“Writing is nothing more than a guided dream.”

Borges’ first published book included a series of non-fictional essays and short stories, using fictional techniques to tell essentially true stories. Borges also wrote poetry, essays, screenplays, literary criticism, and edited numerous anthologies. His poems embrace the same wide range of interests as his fiction, along with issues that emerge in his critical works and translations, and from more personal musings.

My self-evident truth about the relation of Borges’ advice to my writing is that, since it’s more appropriate for fiction writers and I write non-fiction, it’s not related at all! The philosophical term “Borgesian conundrum” is named after him and has been defined as the ontological question of “whether the writer writes the story, or it writes him.” I can get behind that thought in some of the non-fiction stories I write. Thanks, JLB.

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